Treatment FAQ

how to write a good film treatment

by Eusebio Champlin Published 3 years ago Updated 2 years ago
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  1. Start with Your Title. The first thing you need to do is to give your film treatment a title. ...
  2. Make Your Logline. A logline of treatment is a single sentence or sometimes two that is able to capture the essence of the movie.
  3. Summarize the Story Idea. After composing your logline, you can summarize the concept of your film. ...
  4. Set Up Your Characters. Next, you should start building up your characters. ...
  5. Build the Acts. Now that you have built the characters, composed the title and the logline, you are good to start building the acts and the scenes.
  6. Write the Epilogue. In the final paragraph, you wrap up the story by stating the ending, the premise, what happens to your characters, and the lesson your film ...

The point of writing a film treatment is to:
  1. Set up the world you want the reader to envision.
  2. Lay out the structure of your whole story.
  3. Help you identify plot holes, or parts of the film you're missing.
  4. Flesh-out characters and figure out the importance of each role.
Sep 3, 2021

Full Answer

How to write a TV show treatment [with examples]?

To do this, a Treatment will normally contain a:

  • Title: A dynamic one. ...
  • Logline: A powerful one or two-sentence statement of the idea being proposed (circa 25 words).
  • Synopsis: A three paragraph synopsis outlining the idea in more detail (circa 300 – 500 words).
  • Episodes: A three or four page episode storyline summary (circa 500 – 1200 words).

More items...

Why and how to write a screenplay treatment?

Writing a film script takes a lot of preparation, and even the most experienced and successful screenwriters may find it difficult to sit down one day and start writing a full-length screenplay. A treatment is a narrative screenwriting tool that helps you explore ideas, flesh out various story possibilities, and develop your characters.

How to write a response essay to a film?

How to Write a Movie Response Essay

  • Introduction. The opening of a film response usually includes the movie's production information, including the title, director, genre and actors.
  • Plot Summary. ...
  • Identifying Strengths. ...
  • Identifying Weaknesses. ...
  • Overall Evaluation. ...

How to write a solid film review?

evaluate the film, and it should allude to the central concept of the review. A film review does not have to contain a thesis or main claim, but it should focus on a central analysis and assessment. 2) Plot Summary - Remember that many readers of film reviews have not yet seen the film. While you

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How long should a film treatment be?

between five and ten pagesA film treatment should be fall between five and ten pages, twenty max. There are extreme examples where people argue they can be 60 to 70 pages (James Cameron is notorious for long-winded treatments), but as a rule of thumb, less is more. In fact, some executives and producers ask for a one-pager.

How do you write a treatment for a video?

1:164:38How To Write Music Video Treatments! - YouTubeYouTubeStart of suggested clipEnd of suggested clipYou want the artist in the the person that you're pitching to to get a visual. Idea of the idea youMoreYou want the artist in the the person that you're pitching to to get a visual. Idea of the idea you have for their video. So you want it to be very picture and visual heavy to get your ideas across.

How do you write a one page film treatment?

Write a short paragraph, under 100 words, for each section of the story. (The paragraphs don't have to all be the same length -- that's just a ballpark.) Try to not get distracted by subplots and minor characters. Stick to what the main character is doing.

What is a treatment in the film industry?

A treatment is a short document that presents an idea for a film in a clear, concise, dramatic and persuasive way. It's designed to grab the attention and excite the interest of a producer, commissioner, director or other collaborator, and to 'sell' the idea and it's creative and commercial potential.

How do you write a film treatment example?

How to Write a Treatment in 6 StepsStart with your title. A title should be something that encapsulates the essence of your story. ... Compose your logline. ... Summarize the concept. ... Set up the main characters. ... Explore the acts. ... Epilogue.

What is a creative treatment?

A creative treatment is a pre-production document that summarizes a video's concept and defines the creative slant of the final product. Often included in a treatment are the program's overview and objectives, the creative concept, technical approach, potential contributors and project timeline.

Should there be dialogue in a treatment?

Even without dialogue, you can — and should — put as much emotional content into your scenes. The feelings behind actions and reactions is just as important as the action themselves. Remember, emotions are things actors can “play” even without dialogue.

How much do film treatments sell for?

If you sell an idea or a storyline, you can expect to get $5,000 on the front-end and about $20,000 on the back-end if the movie gets produced. If you sell a treatment, you should expect around $15,000 on the front end and $30,000 on the back-end.

How are characters introduced in a film treatment?

Often, screenwriters will begin with the character description before the formal introduction, and this can be done either with dialogue from a previous scene, or through action in the lines running up to the intro. An urbane man in his late 30's enters the room.

How many pages are in a treatment?

For a typical movie, film treatments are about five to 10 pages. That's long enough to convey the right information without overwhelming the reader.

What is a visual treatment in film?

A treatment is a common device used to pitch a director's idea. Synopsis, outline and summary are all often used interchangeably with the term treatment throughout production for both film and TV. Ultimately, a great director treatment can convey the director's vision to not only the client, but the crew involved.

What's the difference between a screenplay and a treatment?

Typically a treatment is a much longer and more detailed description of the screenplay than a synopsis. Treatments are often written before the script is written as a guide for the screenwriter and producer so that the screenwriter doesn't waste time writing a draft that the producer isn't going to like.

What is a film treatment?

A film treatment (or story treatment) is a detailed summary of your film, TV show, or project. The screenplay treatment communicates all important scenes, sequences, and story points in a prose style that evokes the tone of your movie.

Why are film treatments important?

This is why film treatments are so useful: they boil your idea down to your characters and the story events that drive them to change. So let’s examine how to write a treatment that both snags your readers and organizes your vision.

What is a screenwriter's summary?

A behind-the-scenes reference for the screenwriter (or screenwriters) to guide and give a framework to the full script being written. A detailed summary designed to share the screenwriter's (or screenwriters') plan for the script with others before an actual script is written. An in-depth, deconstructed summary of an already-written script ...

How to write a movie script?

Generally you want to keep your film treatment economic and reader-friendly. Don’t go into too much exposition on anything — be it characters, locations, or actions. Avoid also: 1 Any dialogue (save it for the script) 2 Images, clip art (and anything else that’s not text) 3 Paragraphs that are too long 4 Distracting fonts

Who wrote the screenplay for Identity Thief?

When screenwriter Craig Mazin wrote the screenplay for Identity Thief, he wound up doing a full page-one rewrite. As Mazin says in the Scriptnotes podcast, "I wrote this [treatment] up to help get everybody on the same page.".

Who wrote the treatment for Mask of Zorro?

On their site Wordplayer, working screenwriters Ted Elliott and Terry Rossio posted a few of their own film treatment examples. Their 1994 treatment of Mask of Zorro is a glimpse into an effective script treatment.

What is a film treatment?

A film treatment (or film script treatment) is a multi-page, detailed synopsis of your film or visual project. It contains all the key elements of your film, like important scenes, main characters, and crucial plot points. And it’s written in prose, not as a script.

Why is script treatment important?

They’re a vital part of the development process, helping you to stress-test your story idea before writing a draft screenplay. Another benefit of writing a script treatment is that it helps you to pin down the tone of your movie or TV show.

Film Treatment Vs Spec Script

A film treatment and spec script often make confusion for writers as they both serve the same purpose of getting a clear view of the screenplay. A treatment is written before you start writing your screenplay and it is a detailed summary of the characters and the events in your film.

How Long Should a Treatment Be?

The length of the treatment depends on you as the writer. Because there are no set rules for the length of a film treatment. You can choose to write a film treatment as short as one page and as long as 20 pages or even more.

Elements of a Treatment

Well, there are no set rules for what you should or you should not include in a film treatment. So, it is totally up to the writer that what they consider as important to include in their film treatment. Generally, a film treatment has:

Finally, Write a Treatment

Now that you know what is a film treatment, why you need a film treatment, its length, and what you should include inside a film treatment, you are ready to start writing your film treatment. So, follow the easy steps below and let us know in the comments if you have any doubts.

Step 1: Start with Your Title

The first thing you need to do is to give your film treatment a title. The title should be something that summarizes the story within a few words. It can be associated with the name of the main character “The Man in the Hospital” or the setting “The Maze by the Sea”. The title can also be metaphoric. For instance, Voes of the hunted city.

Step 2: Make Your Logline

A logline of treatment is a single sentence or sometimes two that is able to capture the essence of the movie. For instance, in your logline, you can say who the protagonist is and how they are against the world in your movie. It should be powerful enough to capture the attention of the reader and make them read your whole film treatment.

Step 3: Summarize the Story Idea

After composing your logline, you can summarize the concept of your film. In this section, you have a chance to expand your logline and give a brief overview of your story and its background. However, you should not tell the entire story yet. So, just keep it brief and minimal.

What does treatment mean in a movie?

A treatment gives you a glimpse of what your film could look like as a whole. It means producers and directors can get to grips a lot faster with your film than having to read a 90-120 page script.

How many pages are in a treatment?

Importantly, it’s written in present tense and describes events as they happen. A treatment has no set length but on average a detailed one is around 20 pages .

What is the best way to express emotion?

If the reactions are emotional the reader will identify and hopefully relate with the emotion. Humor, for example, is an excellent way to express emotion, it can be a defence mechanism or make us empathise with a character. If a character makes us laugh, we feel a connection and it can tell us about that person.

Why do we need a treatment?

Why do you need a Treatment? As a writer it’s a good idea to give your ideas a dry run. A treatment provides the opportunity to do this. A lot of film treatments might not get seen by anyone other than the writer, but they’re a good way to actually look at your story on paper before you cement it into a screenplay.

Is a treatment a literary document?

So many writers see a treatment as just a document but it is a literary document. It should be enjoyable to read and you should be able to see the movie play out as it will do on the screen. If you can make someone enjoy reading a treatment, it will make them want to read more. 3.

Can a screenplay be written like a TV show?

Not all screenplays are written like this. If you’re writing a TV show, particularly if it includes an outline of a series, a treatment will not look like this. However, a lot of the structural ideas you can adapt to fit the needs of your screenplay.

Who wrote the Terminator?

The Terminator by James Cameron (this one is famously very long). Star Wars, or as it was known in the development process The Star Wars by George Lucas (this treatment is surprisingly different from the final product). The Mask of Zorro by Ted Elliot and Terry Russo (Pirates of the Carribean).

What does treatment give a writer?

A treatment gives them some bit of hope, a scrap of paper to put into their file, something tangible to hold onto. And I suppose treatments do offer some small insurance, to all involved -- if the writer is way, way off, it's probably better to know that sooner than later.

What is script treatment?

Wrapping up script treatments. A treatment is a great way to organize your thoughts about a project. While they may not be the most commercially viable things, they’re great ways to get on a development executive’s good sides and to see if your idea is worthwhile in the marketplace.

What is a synopsis in a screenplay?

It is a synopsis, with action, sparse dialogue, and works as a roadmap for the reader, producer, and writer. This is your story, broken down into an easy-to-follow document, that anyone who picks it up can grasp immediately.

Is James Cameron a good writer?

Credit: James Cameron. Turns out, this James Cameron guy is a pretty good writer, especially in this film treatment sample. But let’s take a look at a more traditional example from the screenwriter, John August. This is his treatment for a TV show called “The Circle.”.

Why should writers know how to write a treatment?

Another reason Writers should know how to write a treatment is so they’re ready to submit it for contests and fellowships. Especially over the last several years, competitions of all kinds have become a popular way for Screenwriters to get their work noticed. For some, all that’s required is the script itself.

What is a treatment in writing?

What Is a Treatment? Before we get to how to write a treatment, it’s crucial to understand what it is 1. In fact, a treatment has a lot in common with a script. For one, the goal with each is to tell a story. Two, like a screenplay, a treatment is written in present tense.

What should a writer include in a script?

Writers should also include the (eventual) script title and logline, as well as their contact information. Once finished, the next steps follow a similar trajectory to a script.

Why is it important to write a treatment?

In treatment form, it’s easier to see how the whole story comes together, solve potential story problems, and get a feel for the emotional arc of the story.

Can you start a screenplay with notes?

Just like any other type of writing, it’s entirely possible that someone may simply want to take a seat at their computer and begin. But as with a screenplay, a little preparation never hurts. That’s why some Writers may decide to start with note cards, beat sheets or even an outline before writing their treatment.

Can you change the treatment of a script?

The treatment can and will change once you start writing the script. You must be open to change during the writing process, as you’ll discover new things you like, and some things you planned won’t work out.”. When it comes to treatments, “always be prepared” is a handy motto to keep in mind.

Can a writer put pen to paper?

If a Writer can’t put pen to paper—or fingers to keyboard—and describe the script’s characters and explain its story trajectory in prose form, odds are they won’t do much better in screenplay format. So in many regards, a treatment can be used as a training ground for making sure the story is structurally sound.

What is a treatment in writing?

A treatment is a multiple page document written in prose - much like a short story or a novel manuscript. Its purpose is to literally get everyone “on the same page” with your story, characters, and tone of what you aim to achieve with the full script (eventually).

Why are treatment documents important?

Treatments are an effective way to streamline your writing process, organise your ideas from the get-go, and even seal business deals without a script. Yes, I said that last part correctly! A treatment document is sometimes deemed as more valuable than a full-fledged script — as many networks and producers see more value in developing ...

What is script treatment?

A script treatment is a great tool for pitching - whether to use it as a skeleton for a presentation or to send after a pitch.

What are the components of treatment?

Components: Treatments usually start with a logline, a list of the main characters, before a scene-by-scene summary or Act sequence breakdown. Again, do whatever to tell your story so your reader doesn’t have to leap over hurdles to understand you. Clarity is key.

How long is a treatment document?

Here are some to consider: 1 - 10 pages - short and concise, a quick read. 10 - 25 pages - much more detailed. 30+ pages or more - very detailed and usually reserved for experienced writers or directors.

What is a prose form?

Prose form: Your story is written in prose form, similar to a novel or short story but with a script-like flourish. Don’t mistake it for a script. It’s a leaner, more direct animal. Script stylings but not too much: Treatments can include dialogue, shots, music, set-pieces, whatever you need. Just don’t go too extreme.

Outlines

Since outlines are often written solely by the screenwriter during their own development and writing process, they vary in size, shape, and form — depending upon the writer, as well as the needs of the possible producers, directors, and managers that they may be working with during the developmental phase leading up to the actual writing of the script..

Treatments

Treatments vary in length and cover the more specifics of the story, utilizing prose in the form of descriptive paragraphs that tell the story from beginning to end with all of the plot points, twists, turns, revelations, and character descriptions, but void of much dialogue.

21 Outlines, Treatments, and Scriptments That Screenwriters Can Study

Since outlines, treatments, and scriptments represent the pre-writing stage of the screenwriting process, you don't often find many online examples.

1. Avatar (Scriptment)

Written by James Cameron (The Terminator, Aliens, True Lies, The Titanic, Avatar)

2. Batman: Year One (Treatment)

Written by Larry & Andy Wachowski (now known as Lana and Lilly Wachowski). They are best known as the auteur sibling writing and directing duo behind Bound and the Matrix Trilogy.

4. Big Fish (Sequence Outline)

Written by John August (Go, Big Fish, Charlie and the Chocolate Factory, Aladdin)

5. Big Fish (Post-First Draft Outline)

Written by John August (Go, Big Fish, Charlie and the Chocolate Factory, Aladdin)

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What Are Film Treatments?

Why Do You Need A Treatment?

Read Some Film Treatments!

Structuring Film Treatments

How to Make Your Film Treatments Engaging

Film Treatment Dos

  • 1. Keep it simple
    A script is always better if everyone involved in making it can understand it. You will be writing this to (hopefully) be shown to various important key creatives, and they need to get it. 1. What makes sense in your head doesn’t necessarily make sense when written out, especially if you go about detailing it in a convoluted manner. 2. The si…
  • 2. Hit the big emotions
    In line with keeping your writing simple, make sure you are exploring the maximum emotional range of your story. In the treatment, make the highs incredibly high and the lows crushingly devastating. It’s so much easier to tone something back than to add more emotion into something. The latter is creating, whereas the former is refining. …
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Film Treatment Don’ts

in Conclusion…

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