What are some of the expectations that can affect the way viewers react to a movie?
What are some of the expectations that can affect the way viewers react to a movie? Being told about the movie beforehand from previews, trailers, commercials, reviews, and talking about it. The films form or having an actor they enjoy watching can also be an affect.
When watching a film what is the viewer identifies?
The identification of the film viewer is not with the characters but, rather, with the act of viewing itself that occurs through the camera, and only through the camera does the viewer identify with the hero of the film (Benjamin, 1969).
How do movies minimize viewers awareness?
In what ways do movies minimize viewers' awareness that they are experiencing a highly manipulated, artificial reality? The movie to use invisibility or cultural invisibility, because that makes audience understand movie. What do we mean by cultural invisibility?
What expectations of film form can filmmakers exploit to shape an audiences experience?
What expectations of film form can filmmakers exploit to shape an audience's experience? Narrative form can shape and sometimes confound our expectations. Elements of film such as, color, sounds, shot lengths, camera movements can also heighten or confuse expectations. They can do this by establishing patterns.
How movies affect our perception?
The way in which we perceive the fictional characters of movies has a direct impact on what we expect reality to be like. It changes our perspectives and as a result we have unrealistic or unreal expectations. Take the popular movie trilogy 'Batman' as an example.
How do you analyze a film scene?
Here are some tips on how to watch the clip critically, just as you would an entire film:Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.Watch the clip a second time. ... Take notes while you watch for the second time.
What is the purpose of film viewing?
When we watch a film, we're not just being entertained: We're also admiring something beautiful; learning about the world and ourselves; connecting with communities; and contributing to positive social change.
What Can filmmakers do to help ensure continuity in their films?
4 Tips for Maintaining Continuity During ProductionTake photos. The best way to be sure of even the smallest details of a shoot stay consistent is to take photos. ... Maintain detailed continuity reports. ... Keep your shooting days close together.Hire a script supervisor.
How does a filmmaker try to draw the viewer into the film?
Eyeline. Another great way to draw a viewer's attention is via a character's eyeline. When you see someone intently looking at something, your natural reaction is to turn and follow their eyeline to see what they're looking at. The same is true when you're watching someone on screen.
Why is it important to the ways that movies communicate with viewers?
Why is it important to the way that movies communicate with viewers? Cinematic language is defined as the accepted systems, methods, or conventions by which the movies communicate with the viewer. It's important because it makes a more complex meaning to the viewer.
What are expectations associated with realistic characters?
What are expectations associated with realistic characters? That they do things that conform to what we understand of real people. Why can it be said that realism in movies is a kind of illusion? Because no matter how similar to our experience of the world it might appear, realism always entails mediation.
What do we mean when we say that the camera mediates our experience of the film?
The camera eye is more selective dictating what we focus on. In short the camera mediates between the exterior (the world) and the interior (our eyes and brains).
How many collaborators are there in a movie?
Seven primary collaborators in the production of a movie
What does "below the action" mean?
Below the action. Places observer in inferior position
How long can a shot be?
one uninterrupted run of the camera. A shot can be as short or as long as the director wants but can't exceed the length of Film stock in the camera.
What does "shot B" mean?
A direct change from one shot to another. The precise point at which shot A ends and Shot B begins.
What happens to Pip in the marsh?
Pip is kind to the man, but the convict becomes violent again when Pip mentions the other escapee he encountered in the marsh, as though the news troubles him greatly. As the convict scrapes at his leg irons with the file, Pip slips away through the mists and returns home.
Why does Dickens use Pip's voice?
Because Pip’s is the voice with which he tells his story, Dickens must make his voice believably human while also ensuring that it conveys all the information necessary to the plot. In this first section, Pip is a young child, and Dickens masterfully uses Pip’s narration to evoke the feelings and problems of childhood.
What are the first chapters of Great Expectations?
The first chapters of Great Expectations set the plot in motion while introducing Pip and his world. As both narrator and protagonist, Pip is naturally the most important character in Great Expectations: the novel is his story, told in his words, and his perceptions utterly define the events and characters of the book. As a result, Dickens’s most important task as a writer in Great Expectations is the creation of Pip’s character. Because Pip’s is the voice with which he tells his story, Dickens must make his voice believably human while also ensuring that it conveys all the information necessary to the plot. In this first section, Pip is a young child, and Dickens masterfully uses Pip’s narration to evoke the feelings and problems of childhood. At the beginning of the novel, for instance, Pip is looking at his parents’ gravestones, a solemn scene which Dickens renders comical by having Pip ponder the exact inscriptions on the tombstones. When the convict questions him about his parents’ names, Pip recites them exactly as they appear on the tombstones, indicating his youthful innocence while simultaneously allowing Dickens to lessen the dramatic tension of the novel’s opening.
What happened to Pip in the graveyard?
Suddenly, a horrific man, growling, dressed in rags, and with his leg in chains, springs out from behind the gravestones and seizes Pip. This escaped convict questions Pip harshly and demands that Pip bring him food and a file with which he can saw off his leg irons.
What does Pip do on Christmas Eve?
It is Christmas Eve, and Pip is forced to stir the holiday pudding all evening.
Who is the first man to find hiding in the marshes?
Unfortunately, the first man he finds hiding in the marshes is actually a second, different convict, who tries to strike Pip and then flees. When Pip finally comes upon his original tormentor, he finds him suffering, cold, wet, and hungry. Pip is kind to the man, but the convict becomes violent again when Pip mentions the other escapee he encountered in the marsh, as though the news troubles him greatly. As the convict scrapes at his leg irons with the file, Pip slips away through the mists and returns home.
Where is Pip in the book?
Now Pip, a young boy, is an orphan living in his sister’s house in the marsh country in southeast England.
What does the man threaten to do to Pip?
The man threatens to hurt Pip if the boy does not bring him food and a file the next day. He also tells Pip there is another man with him who will remove the boy's heart and liver if he does not do as he has been told. Pip watches the man leave before running home scared.
What chapter does Philip Pirrip come from?
In Chapter 1 of Charles Dickens's Great Expectations, we meet Philip Pirrip. We learn right away, however, that as a young boy, his ''infant tongue'' could not pronounce his full name, so he called himself by a shortened version. His self-created nickname stuck, as nicknames often do, and he ''came to be called Pip .''.
What is the best thing about Charles Dickens' writing?
One of the great things about Charles Dickens's writing is that it is rich in visual detail; even the way that Pip imagines his deceased parents is visually rich. Create your own visual representation of a scene from this chapter using the medium of your choice.
What does it mean to enroll in a course?
Enrolling in a course lets you earn progress by passing quizzes and exams.
What is the only thing that falls out of Pip's pocket?
Pip points to his village and the man, after looking at him for a bit, turns Pip upside down to empty his pockets. The only thing that falls out is a piece of bread. The man places Pip on a high tombstone, and while eating the bread that fell out of Pip's pocket, he asks him where his mother is.
What does the dirty man tell Pip?
The dirty man tells Pip to stay quiet or ''I'll cut your throat,'' and asks Pip his name.
What degree does Erica have?
Erica has taught college English writing and literature courses and has a master's degree in children's literature.
How to communicate aesthetics?
Understanding that form and meaning must come together for communication to take place is an important first step in understanding aesthetics. Communication means shared meaning and the professional must be skilled at understanding and communicating such relationships. One way to communicate effectively is to think about your intended audience for design and distribution of products as a target market. Your target market is often best identified through ethnographic field research focusing upon who they are now, their present activities and future aspirations.#N#Communication of a target market may be through the individual user, sometimes referred to as the “persona.” “Persona” is a term for what many in the apparel industry refer to as the typical individual they imagine for their target market. This link to the individual user continually references an intended audience. This persona includes demographics such as age, gender, body size, where located (geographics), jobs they might hold, activities they pursue, and psychographics like their likes, dislikes and preferences.
How to understand what is valued?
One way to understand what is valued is to learn how to be curious and critique what you see, touch and smell. This can take place in your own inner dialogue or in conversation with others. Similar to trend forecaster, Faith Popcorn’s concept of cultural brailing, this requires fully immersing yourself with all your senses. A person may have a pleasurable experience without a conscious understanding of how and why it took place. Ideally, we would engage in examining the reasons for such peak experiences and how they relate to what we value. You may express your “WOW” because of soft to the touch fabric quality, or impeccable tailoring, or the way colors are put together, or the care in which a friend has chosen to appear at a special event, or simply a pulled together look that captures the essence of the Zeitgeist at the time.
What is the reaction of pleasure and satisfaction?
A person’s reaction of pleasure and satisfaction are derived from our experiences of sight, smell, touch, hearing, taste, and sense of being. These sensory experiences can be nurtured through awareness of their relationships. For example, think of how when attention is paid to a variety of food colors combined on a plate to enhance your experience of food and eating.
What is the role of a forecaster?
The role of forecasters is to signal such shifts in market place dynamics – the social and cultural changes that are evolving and continuously point to a new direction that needs to be recognized. For example slow fashion is gaining ground in opposition to the fast fashion movement of clothing made inexpensively and readily disposable. But the shift will not be just one solution, but many. For example, slow fashion may include upcycling, repurposing, user wardrobe management of clothing throughout its life cycle, as well as designer innovation, such as zero waste or innovative uses of resources and alternative construction techniques.
What is the difference between fashion and style?
Fashion and style are important words in the study of trends that are related but quite different in their use. Fashion is about what appears current , and being fashionable is about appearing up-to-date. What makes you appear up-to-date often means focusing on details such as hem length or handbag color, or even how clothing fits the body. But fashion is also considered the prevailing style—that is the way a group of people during a given time and cultural setting choose to appear. Style is the established and recognizable pattern—the overall expression of dress or appearance. This involves patterns of shapes, lines, colors, surfaces, and silhouettes that become recognizable because they are repeated or become iconic because of a strong relationship to a specific time, specific group of people, and location. Using a term like “1970s retro” is a reference to past fashion that is recognizable as a certain style involving specific interrelationships of lines, shapes, surfaces, colors, and silhouettes. Thus a style may be historic and you may differentiate by saying an example of a collar style is the Peter Pan—a recognizable rounded shape that lies relatively flat against the neckline – but this style of collar may not be fashionable at this time. Thus, fashion and style are not used interchangeably.
What is aesthetic response?
Aesthetic response can be approached from three different perspectives. One’s individual response includes such experiences as dressing oneself for individual satisfaction or accessorizing one’s apartment with things you like in your surroundings. To be fashionable means recognizing the relation of your own satisfaction with your collective response as well. In other words, when you relate significantly to a time period within a given cultural group and are able to say that it is so1940s, or so retro – means there is evidence of a collective response in the way you respond. This collective response was noted by Blumer (1969) in his classic research on the selection process of professionals buying from current designer collections and the need to recognize what is going to be fashionable for the current season and therefore popular among your own clientele. Finally, a universal perspective comes when many people across cultures and time agree upon some response based upon their aesthetic experience. As fashion becomes more global there may be a push toward more understanding of a universal aesthetic response. As the market is defined as worldwide, blue denim jeans and t-shirts have become products of a universal response. They are an expression of the need for casual comfort and function and the need for global recognition of dress and appearance. It should also be noted that aesthetic response to fashion is not formed in vacuum, independent from other related industries. The selection of products for comfort and function may be expressed in the cars we drive, furniture we use or the houses we live in.
How to critique a style?
Select a head-to-toe photograph of current fashion that you respond with “wow”. Then when the first three steps are completed, select an image that you dislike. Proceed through Steps 1,2,3 and then move on to Step 4, Evaluation. Compare the two.