Treatment FAQ

how me built up to the acoustic treatment of clarinets

by Adeline Schroeder Published 3 years ago Updated 2 years ago
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Does the clarinet need to be assembled from the bottom up?

The clarinet won't sound better or worse if you start by assembling the barrel and the upper joint, then start on the bottom and jump around. However you assemble the clarinet, you'll probably want to assemble the mouthpiece last, because the reed needs some time to moisten before you play it.

How do I prepare my clarinet for use?

Identify and inspect the individual pieces of the clarinet. Open the clarinet case and make certain all of the components of the clarinet are in good working condition, clean and ready for use.

Does the clarinet help all of the harmonics?

However, the acoustic response of the clarinet is strong enough to help all of the harmonics of the reed to some extent, and the resultant sound spectrum has no strong differences between even and odd harmonics . We return to discuss register holes in more detail below, after we have discused the frequency response.

How can I Fix my embouchure on clarinet?

Luckily, there are concrete steps that a clarinetist of any age can follow to fix their embouchure: 1. Start by sitting up as straight as possible, toward the edge of your chair. This may seem like it has nothing to do with how you hold your lips and mouth.

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How do you build acoustic treatment?

3:496:05How to Build Your Own Acoustic Panels - YouTubeYouTubeStart of suggested clipEnd of suggested clipSimply drilling a hole through the middle and into the corner piece of the frame. And with that youMoreSimply drilling a hole through the middle and into the corner piece of the frame. And with that you have a beautiful acoustic panel. They hang these on the wall.

How do you make the clearer sound on a clarinet?

To make the perfect embouchure for the best clarinet sound, place your bottom lip against your teeth so your chin is flat. Place your clarinet's mouthpiece on your bottom lip, rest your teeth on top of the mouthpiece, and then close your lips to keep the air in.

How do you get a professional tone on a clarinet?

Here are five suggestions to improve tone quality when slurring and articulating.Focus the sound. ... Develop tonal consistency through the full range of the clarinet. ... Utilize effective tuning practices. ... Maintain focus while articulating. ... Choose mouthpieces, reeds and instruments deliberately.

How do I stop my clarinet from sounding airy?

7:328:50How To Fix Common Clarinet Tone Mistakes with Michelle AndersonYouTubeStart of suggested clipEnd of suggested clipIt's so nice to fix it. What you can do is a little test for your students is have them move theirMoreIt's so nice to fix it. What you can do is a little test for your students is have them move their Reed a little bit higher on the mouthpiece.

Why does my clarinet sound stuffy?

Stuffiness can be due to leaks. They can occur at pads, cracks, tenon corks, thumb tubes, and register tubes. Suction tests aren't 100% reliable. Or it could be to the clarinet itself.

How do you make B flat sound better on a clarinet?

1:137:51Clarinet Lesson: Improve your B flat with this simple maintenance trickYouTubeStart of suggested clipEnd of suggested clipYou can try adding to your B flat called resonator fingers and it does make the B flat sound better.MoreYou can try adding to your B flat called resonator fingers and it does make the B flat sound better.

What reeds do professional clarinet players use?

Best Rated Clarinet Reed ReviewsVandoren CR101 Bb Clarinet Reeds. 10,807 Reviews. ... D'Addario Rico Bb Clarinet Reeds. 6,915 Reviews. ... D'Addario Royal Bb Clarinet Reeds. ... Vandoren CR8035 V21 Bb Clarinet Reeds. ... Vandoren V. ... Tanbi Music 10 Bb Clarinet Reeds. ... Vandoren CR121 Bass Clarinet Reeds. ... Vandoren 56 Rue Lepic Bb Clarinet Reeds.

How often do you change a clarinet reed?

every 2-4 weeksA good rule of thumb is you should replace your reed every 2-4 weeks, no matter how often you're playing your instrument. You may want to replace your reeds more frequently if you're practicing several hours each day. Some reeds also may not last as long as others, every reed plays slightly differently.

What is the tone quality of clarinet?

The ideal clarinet tone is clear, centered, focused, dark, and demonstrates confidence and skill. Clarinet tone that requires improvement is usually characterized as thin, bright, nasal, fuzzy, wavering, unsteady, and unfocused. You do not need to be a professional clarinetist to play with excellent tone!

Why does my clarinet sound so breathy?

Overplaying clarinet reeds can create airy, breathy or scrambled eggs sizziling sounds. Another possibility is fatigue. Your mouth is probably getting tired and creating the breathy sound. One more possibility is that if you have played other woodwinds, that includes the saxophone.

Why does my clarinet sound like a trumpet?

Looking at the overtone spectrum one understands why the clarinet was compared with a trumpet - their overtone spectrum is the most similar. The clarinet - as opposed to other instruments - does produce quite different overtones spectrums depending on the register you are playing.

Why does my clarinet sound like a saxophone?

The clarinet embouchure forms a flat chin. The saxophone embouchure forms a "rounded" chin, but not bunched. The lower lip on the clarinet is stretched tight with just a small amount of lip covering the bottom teeth touching the reed.

How does a reed affect clarinet acoustics?

Conversely, suction draws the reed in towards the bore. Thus the reed increases and decreases the mouthpiece volume with high or low pressure.

How does a clarinet work?

The clarinet player provides a flow of air at a pressure above that of the atmosphere (technically, about 3 kPa or 3% of an atmosphere: applied to a water manometer, this pressure would support about a 30 cm height difference). This is the source of power input to the instrument, but it is a source of continuous rather than vibratory power. In a useful analogy with electricity, it is like DC electrical power*. Sound is produced by an oscillating motion or air flow (like AC electricity). In the clarinet, the reed acts like an oscillating valve (technically, a control oscillator). The reed, in cooperation with the resonances in the air in the instrument, produces an oscillating component of both flow and pressure. Once the air in the clarinet is vibrating, some of the energy is radiated as sound out of the bell and any open holes. A much greater amount of energy is lost as a sort of friction (thermal and viscous loss) with the wall. In a sustained note, this energy is replaced by energy put in by the player. The column of air in the clarinet vibrates much more easily at some frequencies than at others (i.e. it resonates at certain frequencies). These resonances largely determine the playing frequency and thus the pitch, and the player in effect chooses the desired resonances by suitable combinations of keys. Let us now look at these components in turn and in detail.

How does a negative pressure wave affect a reed?

Conversely, a negative pressure wave arriving in the mouthpiece closes the reed a little, reducing the flow and futher reducing the pressure.

What is a reed in a clarinet?

In the clarinet, the reed acts like an oscillating valve (technically, a control oscillator). The reed, in cooperation with the resonances in the air in the instrument, produces an oscillating component of both flow and pressure.

Why do we use tone holes?

When we first discussed tone holes, we said that, because a tone hole opens the bore up to the outside air, it shortened the effective length of the tube. For low frequencies, this is true: the wave is reflected at or near this point because the hole provides a low impedance 'short circuit' to the outside air. For high frequencies, however, it is more complicated. The air in and near the tone hole has mass. For a sound wave to pass through the tone hole it has to accelerate this mass, and the required acceleration (all else equal) increases as the square of the frequency: for a high frequency wave there is little time in half a cycle to get it moving.

What is the purpose of a clarinet bell?

In fact, one important purpose of the clarinet's bell is to provide a high pass filter for the lowest few notes, so that they have a cut-off frequency and so behave more similarly to the notes produced with several tone holes open.

What is the longest wave on a clarinet?

The frequency equals the wave speed divided by the wavelength, so this longest wave corresponds to the lowest note on the instrument: D3 on a Bb clarinet. (See standard note names, and remember that clarinets are transposing instruments, so that D3 is written as E3 for the Bb clarinet.

What is acoustic treatment?

Acoustic treatment is one of the most essential parts of your music studio; it allows you to trust your ears. An untreated room will color the sound produced by your speakers in various ways, which means the mixing and mastering decisions you make may be misinformed.

What are the problems with acoustics?

These issues include comb filtering, flutter echo, room modes, and excessive decay time.

How do you know if your speakers are working?

First, you hear the direct sound coming straight from your speakers, then you hear the early reflections that have bounced off boundaries like your desk, walls, floor, and ceiling. Finally, you hear the sound’s reverberant field, which is a complex network of reflections created via the original sound interacting heavily with your room.

What is comb filtering?

When a direct sound is combined with its reflection, something known as a comb filter is created. It’s characterized by the notches introduced to the frequency response of the resulting sound. The location of the notches within the frequency spectrum is dependent upon the delay time between the direct sound and the reflected sound. Comb filtering is the effect flangers introduce to an audio signal, and it’s not something you want your listening environment imparting on your perception of a mix.

Is it expensive to build acoustic panels?

I understand that everyone is looking for a way to save money, and I’m the exact same way. Building your own acoustic panels isn’t that expensive, and the quality of the panels you end up with is extremely high.

Can sound absorbers be destroyed?

Energy can neither be created nor destroyed, but it can be changed from one form to another. Absorbers convert sound, which is the vibratory energy of sound particles, into heat. There’s no need to worry about sound burning your studio to the ground because the amount of heat that absorbers generate is insignificant.

Why is it important to treat the acoustics of a studio?

Acoustic Treatment, ultimately, is a form of sound absorption that manages the impact of excess, traveling sound. Overall, there are three major components involved in treating the acoustics of a room. Namely, these are:

Where to place acoustic foam panels?

Place your acoustic foam/fiberglass panels directly to walls on the left and right of the mixing station. You also have to place some panels on the ceiling directly above the mixing position.

What type of panels do music producers use?

Music producers combat this by covering as much of the wall area as possible using Acoustic Panels . These can be in the form of either Foam Panels or Fiberglass Panels. If you are on a little bit more of a budget, covering your entire wall surface can be something of a costly exercise.

What is an acoustic panel?

Acoustic Panels – These are meant to absorb mid to high range frequencies in a room. You can use either Foam Panels which are less expensive, and often applied using a spray adhesive to the walls. Or Fibreglass Panels, which are denser, and therefore absorb better. These are mounted on the walls using screws.

What are the reflection points in acoustic mixing?

When setting up your acoustic treatment for optimized perceptive mixing, you want to tackle the First Reflection Points (aka the Early Reflection Points) of the room. This primarily affects the listening/monitoring area of your studio, but also microphones when recording.

What Will Acoustic Treatment Do for My Recording Studio?

Acoustic Panels absorb mid and high frequencies. Corner Bass Traps absorb low frequencies. When both are used, your room will sound more balanced, allowing you to capture the source instrument as it naturally sounds without additional frequencies bouncing around, muddying up the recording.

How to Build Acoustic Treatment Panels

First, nail two pieces of wood together, same thickness as the fiberglass sheet, to create 90-degree angles for all of the corners. Staple gazebo lattice wood to the angles, creating one side of support.

How to Build Corner Bass Traps

Rockwool or some sort of semi-rigid to rigid fiberglass (i.e. 703 Fiberglass Owens Corning)

What happens to sound when it is made in a room?

Whenever a sound is made in a room, here’s what happens to it: Starting at the source, it projects outward in all directions. A small portion of it (known as direct sound) travels in a straight line to the microphone. The remainder (known as reflected sound) bounces randomly between the surfaces of the room.

Does direct sound change the tone of a room?

Since direct sound does not interact with the room, its frequency balance remains pure, and its tone unaltered. With reflected sound, each new reflection has the potential to CHANGE the original sound ever-so-slightly. Depending on the size of the room, and the reflective surfaces within it….

Do bass traps absorb mid frequencies?

And here’s why: Though commonly thought of as specialized tools for absorbing bass frequencies…. Porous bass traps are actually broadband absorbers, meaning they’re good at absorbing mid/high frequencies as well. Which is why sometimes…bass traps alone can be enough to get the job done.

Do I need a degree to run an acoustic studio?

The good news is…you don’t need a degree in acoustical engineering to run a recording studio. All you need is a few SIMPLE CONCEPTS. Starting with…. 1.

How to make a clarinet sound better?

The clarinet won't sound better or worse if you start by assembling the barrel and the upper joint, then start on the bottom and jump around. However you assemble the clarinet, you'll probably want to assemble the mouthpiece last, because the reed needs some time to moisten before you play it.

How to assemble a clarinet?

Generally, clarinet players will assemble the clarinet by starting with the bell, then attaching the lower joint, the upper joint, the barrel, and the mouthpiece, in that order, although there's no wrong way to put it together.

What is the mouthpiece on a clarinet?

The mouthpiece consists of the black mouthpiece housing, as well as a metal ligature, which is used to hold the reed in place on the mouthpiece. Many clarinets also come with a metallic mouthpiece cover, used to protect the mouthpiece in the case. 2. Start from the bell and work your way up.

How to moisten a reed?

2. Put the reed against the hole of the mouthpiece. Line the tip of the reed vertically with the tip of the mouthpiece. You should ideally try to see a fingernail-width of mouthpiece above the reed, for optimum placement.

How much water do you need to moisten a reed?

The thicker half of the reed is called the stock, and to moisten the reed you need to submerge that part of the reed into 1⁄2 to 1 inch (1.3 to 2.5 cm) of water. It's usually best to start the assembly process by soaking your mouthpiece, so it can work while you do the rest of the job.

How to clean a clarinet?

Keep your clarinet well-maintained and lustrous by using a soft cloth and wiping down the instrument gently after handling it. Gently work your clean cloth over the metal keys as well as in between the keys around the barrel.

What is the tone of a clarinet?

Like a larger, more complex version of the recorder, the clarinet is a woodwind instrument with a clear, mellow tone common to classical music and jazz. If you're joining the ranks of the clarinet player, learning to assemble and maintain your instrument is the first order of the day.

How to fix a clarinet embouchure?

Luckily, there are concrete steps that a clarinetist of any age can follow to fix their embouchure: 1. Start by sitting up as straight as possible, toward the edge of your chair. This may seem like it has nothing to do with how you hold your lips and mouth.

What does it mean to embouchure a clarinet?

A proper clarinet embouchure can mean the difference between a pleasing sound and a reedy, squeaky or airy sound. And developing a strong embouchure is a common challenge among beginner clarinetists. I’ve played the clarinet and bass clarinet for over 30 years.

What are some common mistakes clarinetists make?

Here are some of the most common mistakes you might face that are holding you back: 1. Leaning on the back of your chair.

What happens if you choke up on a reed?

This may require some trial and error to get it right. If you “choke up” on the mouthpiece, the reed will not be able to vibrate properly. This will lead to a lot of squeaking and can make your tone too sharp.

How to embouchure a syringe?

1. Leaning on the back of your chair. This inhibits you from keeping the instrument at the proper angle to give you the foundation for a good embouchure. Be sure to breathe from your diaphragm and concentrate on releasing a warm column of air, “blowing through” your instrument.

How to make a good sound on a guitar?

Focus on blowing a warm, consistent supply of air through your instrument. Always breathe from your diaphragm so you have enough air to make a good sound.

Where should the mouthpiece rest on the clarinet?

Be sure to roll your lip under and flatten your chin to adapt to the clarinet. 3. Rest the mouthpiece in the center of your lower lip.

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Common Acoustic Problems

Types of Acoustic Treatment

  • Before moving ahead with acoustic treatment, I recommend that you optimize the listening position of your room.This will allow you to minimize acoustic problems, making the application of acoustic treatment easier, cheaper, and more effective. The primary forms of acoustic treatment I’ll be covering include absorption, reflection, as well as decoup...
See more on blackghostaudio.com

Critical Treatment Zones

  • When your speakers produce sound, there are three distinct stages in which you perceive it. First, you hear the direct sound coming straight from your speakers, then you hear the early reflections that have bounced off boundaries like your desk, walls, floor, and ceiling. Finally, you hear the sound’s reverberant field, which is a complex network of reflections created via the original soun…
See more on blackghostaudio.com

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