How Faulkner's treatment of the North and the South contributes to the meaning of the story?
Answer: They were "looked down" upon for their race and their social status. But even though the town was full of southern tradition northerner “Homer Barron” was accepted due to his generous nature and charming sense of humor. This leads to the "meaning of the story".
How does Emily represent the Old South in Faulkner's A Rose for Emily?
Emily clings to the notion of what once was, becoming a traditional obligation to the town of Jefferson through her refusal to pay taxes. Finally, she is representative of the South through her unwillingness to accept the passage of time as she keeps the bodies of both her father and Homer Barron after their deaths.
WHAT DOES A Rose for Emily say about the South?
In William Faulkner's “A Rose for Emily,” Faulkner reflects the deterioration of the Old South by using Emily Grierson as a symbol for southern views on reconstruction through descriptions of the respect and admiration of Emily, using imagery to contrast her youth and downfall, and descriptions of how modernization ...
WHAT DOES A Rose for Emily represent?
The rose symbolizes dreams of romances and lovers. These dreams belong to women, who like Emily Grierson, have yet to experience true love for themselves. Throughout the life of Emily Grierson, she remains locked up, never experiencing love from anyone but her father.
How does Faulkner describe Emily What do you think the townspeople think of her?
The townspeople respect Miss Emily as a kind of living monument to their glorified but lost pre-Civil War Southern past, but are therefore also highly judgmental and gossipy about her, sometimes hypocritically.
How is Miss Emily a symbol of the Old South?
Faulkner uses Miss Emily and her house, which once both represented pride, beauty, and opulence, to symbolize the downfall of the Old South. At its height, the Old South meant beauty and power, but with the defeat in the Civil War, all that was once the Old South came to an abrupt end.
What is Faulkner trying to say in A Rose for Emily?
In William Faulkner's short story “A Rose for Emily” he uses his text as a metaphor for the South's struggle to abandon their traditions for modernity during the Reconstruction era through the life of Miss Emily Grierson.
What is the Old South in A Rose for Emily?
“A Rose for Emily” is set in the South after the Civil War (the “postbellum” South), after slavery had been abolished and plantation life had collapsed.
Who or what is the antagonist of the story A Rose for Emily?
Emily Grierson For Homer Barron, Emily was definitely an antagonist. In a way, the town sees her an antagonist as well. Her own generation persecutes her out of revenge for her family's pretension of nobility.
What is William Faulkner's overall tone toward Miss Emily?
Directly from Faulkner's own words, we learn that he was sympathetic to Emily's tragic life. He also shows the gossipy side of the townspeople who liked to talk about Emily's life (maybe ultimately contributing to her final act toward Homer).
Why do you suppose Faulkner calls his story A Rose for Emily?
Title. Faulkner described the title "A Rose For Emily" as an allegorical title: this woman had undergone a great tragedy, and for this Faulkner pitied her. As a salute, he handed her a rose. The exact meaning of the word "rose" in the title in relation to the story, however, remains open to debate.
What is significant about the gray hair at the end of the short story A Rose for Emily?
The gray hair on the pillow indicates that she has been lying down on the bed, beside the corpse of her dead former fiance.
How does faulkner's treatment of the north and south contributes to the ...
Discuss how faulkner's treatment of the north and south contributes to ...
[Solved] Discuss how Faulkner's treatment of the North and South ...
What is Emily and Homer Barron's relationship in Faulkner's "A Rose for ...
What does Paul Metcalf say about Faulkner?
As the writer Paul Metcalf put it, “The only real work in creative endeavor is keeping things from falling together too soon.”. What we discover, though, on advancing into the novel’s maze, is that Faulkner has given nothing away, not of the things he most values.
What is the defense to be mounted in Faulkner's book?
The defense to be mounted is not of Faulkner’s use of the word but of the novel in spite of it, or rather, in the face of it. “Absalom, Absalom!” has been well described as the most serious attempt by any white writer to confront the problem of race in America. There is bravery in Faulkner’s decision to dig into this wound.
Why did Sutpen sail back to the South?
He sailed back to the South to become a planter. A plausible thing for a white Southern male to have done in the early 19th century. But what Faulkner doesn’t forget, and doesn’t want us to, is the radical amorality of the breach. On the basis of pure social abstraction, Sutpen has spurned his own child, his first son.
What does Quentin tell Shreve about the South?
Quentin tells Shreve a story from his hometown in Mississippi, about a visit he paid earlier that year to an old woman he knows as Miss Rosa.
What is the greatest Southern novel ever written?
June 28, 2012. A poll of well over a hundred writers and critics, taken a few years back by Oxford American magazine, named William Faulkner’s “Absalom, Absalom!” the “greatest Southern novel ever written,” by a decisive margin — and the poll was conducted while looking back on a century in which a disproportionate number ...
Where did Sutpen's Ur-ancestor live?
Faulkner makes a set of choices, in reconstructing Sutpen’s past, that ought to draw our attention. He tells us that Sutpen’s Ur-ancestor probably landed in Jamestown on a prisoner-transport ship, and that he grew up in a cabin in the backcountry (in what would become West Virginia), and that he spent time in Haiti.
Is Faulkner's sensitivity to shading a truth?
It may be crass for a white reader to claim that as significant, but a writer with Faulkner’s sensitivity to verbal shading might have been better tuned to the ugliness of the word, and not a truth-revealing ugliness, but something more like gratuitousness, with an attending queasy sense of rhetorical power misused.
What did Faulkner worry about?
But Faulkner was worried about the pace of change in the South, and the vehemence and violence of white resistance to integration following the Supreme Court’s Brown v. Board of Education decision. In March 1956, he published an article in Life magazine cautioning advocates of desegregation to “go slow now.” In the drunken interview the month before, he had gone even further. If federally mandated integration were to proceed, he insisted, the Southern states would revolt. “The government will send its troops and we’ll be back at 1860.” More disturbingly, he signaled where his own ultimate allegiances would lie:
What was James Baldwin's response to Faulkner's comments on civil rights?
One of the most trenchant responses to Faulkner’s comments on civil rights was James Baldwin’s 1956 essay “Faulkner and Desegregation,” first published in Partisan Review, which offers a clear-eyed critique not only of Faulkner’s political position but also, implicitly, of his fiction.
What happened to freedmen after emancipation?
After Emancipation, freedmen often worked for their old masters under conditions not far removed from slavery; white-supremacist terrorism kept them oppressed and disenfranchised even before the institution of Jim Crow laws in the 1870s ratified their subjugation.
What is the haunted worldview of Requiem for a Nun?
This haunted worldview, in Gorra’s telling, emerged from the lived experience of Reconstruction and the postbellum South more generally , where a variety of social and economic forces kept Southerners in a kind of anguished suspension.
Who was the blind drunk who gave an interview in 1956?
In February 1956, William Faulkner, blind drunk, gave an infamous interview. After toiling for decades in relative obscurity, Faulkner had become a literary celebrity—he had won the Nobel Prize seven years earlier—and as the civil rights movement gathered steam, he was increasingly sought after by journalists to provide a Southern perspective on race relations. Faulkner was already on record as a liberal opponent of white supremacy. A year earlier, he had reacted to the lynching of Emmett Till by writing, “If we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we don’t deserve to survive, and probably won’t.”
Does Faulkner have the same stake in defending the Old South as a system?
Faulkner, according to Gorra, “doesn’t have the same romantic stake in defending the Old South as a system” as these writers. “His myth lies elsewhere, in his sense of a dim hot airless past that weighs upon the present.”.
Who was the character in Intruder in the Dust?
In his 1948 novel, Intruder in the Dust, a character named Gavin Stevens evokes Pickett’s Charge, the failed final assault by Confederate forces at the Battle of Gettysburg, often taken to be the moment at which the South’s overall defeat became assured. “It’s all now you see,” Stevens says.
What is Faulkner's "As I Lay Dying" about?
Faulkner's As I Lay Dying (1931) was compared unfavorably to Erskine Caldwell's salaciously saleable depiction of southern poverty in Tobacco Road (1932), which devoted part of its mélange to the potential uplift for blacks and well as whites in the form of agricultural cooperatives.
Who was Faulkner's heir?
Even the most conservative conception of the Southern Literary Renaissance, one that names a figure such as William Styron as Faulkner's heir, necessitates a consideration of the formal influence of Robert Penn Warren, finally placing both Warren and Styron in the tradition of the slave narrative.
Why did Toomer travel south?
Stating a modernist fact (a geography of creativity that would have included Taos, New Mexico, in its locations), Toomer openly acknowledged that he had journeyed south in the 1920s to be closer to the "sources" of his art. Figure 1. Cleo Campbell, nine years old. Pottawotamie County, Oklahoma, 1916.
What are Lewis Hine's photographs of girls in cultivated nature?
Despite the captions describing hard labor, these posed Lewis Hine photographs of girls in cultivated nature have a romanticized, even fairy-tale, quality when compared to Hine’s photographs of the exposed and deformed bodies of children who are working in factories, mines, and fisheries. In addition to documenting girls' labor in cotton production, these images reveal an investment in whiteness and the class-based concept of preserving a "complexion" practiced by some female agricultural laborers. Here, Cleo Campbell's face is darkened by the sun, but her hands (protected for practical reasons) shine at the end of her dark-brown arms, as if she is still wearing her work gloves. In contrast, her older sister Callie is clearly committed to preserving her whiteness. As she is featured here in two of these photographs, her Mother Hubbard hat protects her face while the thick black stockings on her arms, as well as her legs, protect her limbs from the leathering rays of the sun. Folk myths aside, this work is being done under a sun in which people of color, even those of the darkest hues, burn and blister. Little changed in the methods of chopping and picking cotton during the nearly fifteen-year period between Hine's taking of these photographs and the publication of Faulkner's As I Lay Dying. A fifty-pound bag could indeed be part of the harvest, but smaller bags and baskets, pulled along or strapped on the picker's neck, were emptied into these larger sacks.
Who wrote the book "Bayonne or the Yoknapatawpha of Ernest Gaines
. . Faulkner's methods with success.". The most extensive analysis linking Gaines's fictional world to Faulkner's Yoknapatawpha is Michel Fabre's "Bayonne or the Yoknapatawpha of Ernest Gaines," Callaloo 1 (1978), 110–124.
Who was the African American who created the Yoknapatawpha?
At the 1998 Faulkner and Yoknapatawpha Conference ("Faulkner in America"), Trudier Harris gave a talk on Andrew's trilogy and his creation of an African American Yoknapatawpha in Georgia.
Who was Alice Walker reading?
Alice Walker, taking a course on southern literature that consisted of works by Faulkner, Welty, and McCullers at Sarah Lawrence College in the 1960s, recalls her epiphany in reading the assigned works of Flannery O'Connor.
What is the setting of William Faulkner's novels?
William Faulkner was born in 1897 and died in 1962. He grew up in a small town in Mississippi, which is the setting for many of his novels and short stories. Faulkner's family had lost power and money during the Civil War. His work is deeply rooted in the story of the South, tackling issues such as race, gender, and class, as you'll notice in ' A Rose for Emily ,' which was published in 1931. Also, this story is considered Gothic. Gothic literature includes elements that verge on horror and Romanticism. 'A Rose for Emily,' in other words, is a tad bit creepy.
What is Emily's decay metaphor?
Emily's decay is metaphor for the death of Southern pride, the end of old-fashioned values . Another notable theme is the role of women. Faulkner's treatment of Emily suggests that readers should ultimately feel sympathy for Emily. Because she lived in a small town, everyone had known her suitors were all gone.
What does Emily's hair mean in Homer's body?
Once Emily's cousins come to take care of Emily's estate, they discover Homer's corpse in Emily's bed. On the pillow next to the corpse, there was a strand of Emily's iron gray hair, which suggests that the arsenic had been used to poison Homer. Also, Emily may have had a fetish for dead people.
What does the necrophiliac mean?
A necrophiliac refers to someone who likes to have sex with corpses. This creepy element offers a Gothic feel to this story. The metaphorical rose for Emily is the narrator's way of honoring and paying tribute to a woman who had suffered years in silence. Themes of the Story.
Why did Emily die alone?
At this point in American history, women were generally defined by their role as a mother, wife, or daughter. Because of this, the town felt bad for Emily.
What is a fallen woman?
A fallen woman is a woman who has been guilty of adultery or sex before marriage. It's an outdated term. This is just an example of how society judged women at this point in history. The climax of the story takes place in part three, when Emily decides to buy arsenic from the local pharmacy.
Was Homer good enough for Emily?
Homer was a working class fellow, not good enough for Emily by most standards. Also, that Emily and Homer were dating without any talk of marriage was considered scandalous. The narrator describes Emily as a fallen woman. A fallen woman is a woman who has been guilty of adultery or sex before marriage.
What is the name of the chapter in North and South?
North and South: Chapter 1. LitCharts assigns a color and icon to each theme in North and South, which you can use to track the themes throughout the work. Margaret Hale is with her cousin, Edith Shaw, in the drawing-room of their home in Harley Street, London.
What is Margaret's concern in the Victorian era?
Margaret’s and Edith’s concerns seem fairly typical for women of a fashionable London neighborhood in the Victorian era, establishing a contrast with later events. While Edith naps, Margaret thinks about her upcoming move and listens to her Aunt Shaw, who is entertaining several neighbors in the next room.
Why does Aunt Shaw use Margaret as a model?
Aunt Shaw uses Margaret as a model to show off the exotic shawls, as Margaret stands “quite silent and passive.”. In the midst of the modeling, Henry Lennox walks in, and Margaret gives him an amused smile, feeling the ludicrousness of the situation.
What is Margaret uncomfortable with?
Margaret is also uncomfortable with the fact that Henry seems to have made a study of her character. Get the entire North and South LitChart as a printable PDF.
Where is Margaret Hale's cousin?
Margaret Hale is with her cousin, Edith Shaw, in the drawing-room of their home in Harley Street, London . The two have been talking over Edith’s impending marriage to Captain Lennox and Margaret’s plans to return to her parents’ country parsonage, after spending the last ten years living with the Shaws.
Who summons Margaret to get Edith's shawls?
As the conversation turns to Edith’s trousseau, Aunt Shaw summons Margaret to get Edith’s beautiful Indian shawls to show to the visitors. When Margaret goes to the upstairs nursery to fetch the shawls, she remembers how she came, “all untamed from the forest,” to join the Shaw household nine years earlier.
What is Margaret's passivity in the conventionally feminine role of a display model?
Margaret’s passivity in the conventionally feminine role of a display model stands in comic contrast to the graver and more public roles she will later occupy. There’s also a hint of a possible romantic current between herself and Henry. Active Themes.